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Local Choruses Bach Consort Capitol Hill Chorale Cathedral Choral Society Choral Arts Society Circle Singers Lesbian and Gay Chorus Master Chorale Masterworks Chorus New Dominion Chorale Thomas Circle Singers Washington Chorus Men's Camerata Savoyards Women's Chorus
Contact me
guterman@nasw.org
| Music Although I enjoy music of many types, and I studied piano for more than a decade, my current passion is choral music. I've been singing in choruses large and small, challenging and laid back, in university settings or in my community, for more than a decade. Along the way, I've sung music from many centuries including several world premieres. In the summer of 2000, I toured central Europe with the Master Chorale of Washington. We sang in Prague's Rudolfinum and Budapest's Liszt Academy. In 2005, we went to Poland and Germany and performed Donald McCullough's Holocaust Cantata in Krakow, Dresden, and Berlin as well as at Auschwitz. I study voice with Angela Powell. A list of choruses I've sung with, including their music directors, is below. At the bottom are links to reviews of recent performances. Classical Choruses Master Chorale of Washington (formerly the Paul Hill Chorale) (1999-current) Donald McCullough Berkshire Choral Festival (Summer 2003) David Hill Berkshire Choral Festival (Summer 2001) Joseph Colaneri Thomas Circle Singers (1999-2000) James Kreger Harvard-Radcliffe Chorus (Spring, 1999) Constance DeFotis City of London Choir (Fall, 1998) Hilary Davan Wetton Santa Cruz Chorale (1997-1998) Paul Vorwerk Caltech Chamber Singers (1996-1997) Donald Caldwell Caltech Women's Glee Club (1995-1997) Monica Hubbard Radcliffe Choral Society (Fall, 1993) Beverly Taylor Harvard-Radcliffe Chorus (1993, 1994-1995) Beverly Taylor A Cappella Groups Caltech Treble Makers (Summer, 1997) Theresa Lynn Caltech Clef Hangers (1996) Monica Hubbard Light Opera Choruses Washington Savoyards, Ruddigore (Spring, 2001) Bob Zuber Philbeach Society, selections from The Pirates of Penzance and HMS Pinafore (Fall, 1998) Gerald Taylor Harvard-Radcliffe Gilbert & Sullivan Players, Patience (Spring, 1995) Benjamin DiScipio Harvard-Radcliffe Gilbert & Sullivan Players, Iolanthe (Spring, 1994) Gayle Crawford Reviews Mahler Symphony No. 8, the "Symphony of a Thousand," performed by the National Symphony Orchestra with the Master Chorale of Washington, the Choral Arts Society of Washington, the Washington Chorus, the Cathedral Choral Society, and the Children's Chorus of Washington, reviewed in the Washington Post, June 2006. World Premiere of Whitman's Journey by Adolphus Hailstork, performed by the Master Chorale of Washington, reviewed in the Washington Post, April 2006. Christmas concert given by the Master Chorale of Washington, reviewed in the Washington Post, December 2005. Donald McCullough's Holocaust Cantata performed by the Master Chorale of Washington, reviewed in the Washington Post, November 2005. Durufle Requiem and Dave Brubeck's Pange Lingua Variations performed by the Master Chorale of Washington, reviewed in the Washington Post, November 2005. Donald McCullough's Holocaust Cantata and Darius Milhaud's Sacred Service sung by the Master Chorale of Washington, reviewed in the Washington Post, May 2005. Philip Glass's Symphony No. 7, the Toltec, performed by the National Symphony Orchestra with the Master Chorale of Washington, reviewed in the Washington Post, January 2005. Christmas concert given by the Master Chorale of Washington, reviewed in the Washington Post, December 2004. The Messiah performed by the National Symphony Orchestra with the Master Chorale of Washington, reviewed in the Washington Post, December 2004. Mozart Requiem performed by the Master Chorale of Washington, reviewed in the Washington Post, November 2004. The Messiah performed by the Master Chorale of Washington, reviewed in the Washington Post, April 2004. Christmas concert given by the Master Chorale of Washington, reviewed in the Washington Post, December 2003. Carl Orff's Carmina Burana performed by the Master Chorale of Washington, reviewed in the Washington Post, November 2003. National Symphony Orchestra pops concert with the Master Chorale of Washington, reviewed in the Washington Post, May 2003. Donald McCullough's Let My People Go performed by the Master Chorale of Washington, reviewed in the Washington Post, May 2003. Rachmaninoff Vespers performed by the Master Chorale of Washington, reviewed in the Washington Post, February 2003. Christmas concert given by the Master Chorale of Washington, reviewed in the Washington Post, December 2002. Bach Mass in B Minor performed by the Master Chorale of Washington, reviewed in the Washington Post, November 2002. Verdi Requiem performed by the Master Chorale of Washington, reviewed in the Washington Post, March 2002. Christmas concert given by the Master Chorale of Washington, reviewed in the Washington Post, December 2001. Ruddigore performed by the Washington Savoyards, reviewed in the Washington Post, May 2001. Brahms Requiem and Szymanowski Stabat Mater performed by the Master Chorale of Washington, reviewed in the Washington Post, April 2001. Christmas concert given by the Master Chorale of Washington, reviewed in the Washington Post, December 2000. Handel, Britten, and Vaughan Williams concert given by the Master Chorale of Washington, reviewed in the Washington Post, October 2000. Faure Requiem and Stephen Paulus's Mass performed by the Master Chorale of Washington, reviewed in the Washington Post, April 2000.
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